Science fiction and romance collide in The Fountain, the ambitious third feature from director Darren Aronofsky (Pi, Requiem for a Dream), who laboured for four years to complete this epic-sized love story that stretches across centuries and galaxies.

Hugh Jackman and Rachel Weisz (Aronofsky’s real-life companion) play lovers in each of the film’s three settings–16th century Europe and America (Jackman is a Spanish explorer searching for Incan magic), the present day (Jackman is a doctor attempting to cure his dying wife), and the 26th century (Jackman is a space traveller seeking a gateway to the afterlife)-–who struggle mightily to stay united, only to lose each other time and again.

Aronofsky may not have chosen the easiest presentation for audiences to absorb his theories on the lasting qualities of life and the transformative powers of death-–the final sequence, in particular, with a bald Jackman floating through space in a bubble, harks back uncomfortably to “head movies” of the late ’60s-–but his leads have considerable chemistry (and look terrific to boot), which goes a long way towards securing viewers’ hopes for a happy ending. Critical reception for The Fountain has been nothing short of bloodthirsty, with Cannes audiences booing, but there are elements to enjoy here, even if the premise throws one for a loop.

Ellen Burstyn (who earned an Oscar nomination for Requiem for a Dream) delivers a typically solid performance as Jackman’s boss in the present day sequence, and special effects (most done without the benefit of CGI) are also impressive given the film’s low budget (spurred by a mid-production shutdown after original stars Brad Pitt and Cate Blanchett ankled the picture). And science-fiction fans whose tastes run towards the metaphysical (Asimov, Le Guin) will appreciate the attempt to present the genre in a serious light. — Paul Gaita

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This documentary goes over many philosophical concepts that inspired, and are presented in, the trilogy. They spend the first half on the original film, and the rest of the time then goes over parts 2 and 3, with a couple of things on the Animatrix shorts.

It consists of clips of aforementioned releases and interviews. It does a good job of informing the audience about the various thoughts, although it would obviously take far longer to go over all the symbolism in them, and one can ask the very appropriate question if something anywhere near that definite and final is even desired, by viewers or the Wachowskis alike.

That does mean that this is limited, but it is likely enough to enlighten and provide food for thought. In line with the series, this may provoke debate, rather than give answers set in stone. Whether one cares for this or not may depend on the extent of their knowledge on the subject, the old ideas, as well as how much they’ve thought about the presence of such in these three silver screen efforts.

Obviously, it also makes a difference if one particularly wants to think about the meanings one could possibly take out of them.

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Heraclitus & Parmenides contemplating life in Plato's School of Athens

The Pre-Socratic philosophers, Heraclitus and Parmenides. Metaphysics, determinism, fatalism, and the unreality of free will.

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The Matrix is a 1999 American science fiction action film written and directed by Larry and Andy Wachowski. The film stars Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Joe Pantoliano, and Hugo Weaving, and was first released in the United States on March 31, 1999. The success of the film led to the release of two feature film sequels, and the Matrix franchise was further expanded through the production of comic books, video games, and animated short films.

The film depicts a future in which reality as perceived by most humans is actually a simulated reality created by sentient machines to pacify and subdue the human population, while their bodies’ heat and electrical activity are used as an energy source. Upon learning this, computer programmer “Neo” is drawn into a rebellion against the machines, involving other people who have been freed from the “dream world” and into reality.

The film contains many references to the cyberpunk and hacker subcultures; philosophical and religious ideas such as René Descartes’ evil genius, the Allegory of the Cave, the brain in a vat thought experiment; and homages to Alice’s Adventures in Wonderland, Hong Kong action cinema, spaghetti westerns, dystopian fiction, and Japanese animation.

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“But the transformation of consciousness undertaken in Taoism and Zen is more like the correction of faulty perception or the curing of a disease. It is not an acquisitive process of learning more and more facts or greater and greater skills, but rather an unlearning of wrong habits and opinions. As Lao-tzu said, “The scholar gains every day, but the Taoist loses every day.” ~ Alan Watts

Alan Watts (1915-1973) who held both a master’s degree in theology and a doctorate of divinity, is best known as an interpreter of Zen Buddhism in particular, and Indian and Chinese philosophy in general. He authored more than 20 excellent books on the philosophy and psychology of religion, and lectured extensively, leaving behind a vast audio archive. With characteristic lucidity and humor Watts unravels the most obscure ontological and epistemological knots with the greatest of ease.

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The first episode of Three Minute Philosophy – The NEW series! Explores a relatively very small fraction of the work of the guy who basically invented philosophy, Plato.

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